Tag Archives: tips
Help! I’m Lost and Can’t Find My Way
By Ane Mulligan I’d hit the 43,000-word mark in the fourth book in my Chapel Springs series. I knew the characters like I know myself. Better even, since I don’t pretend they don’t have faults. But the story stalled on … Continue reading
Dress for Success and Corrie Ten Boom
By Carol Hamilton Today’s authors should be speakers, also. To become more comfortable before an audience and to allow your audience to be more at ease with you, learn to dress for success. When you stand on a stage, the … Continue reading
Story Structure
By Katherine Reay As I begin a new story, my mind turns to structure. No matter how much I say I’m an “organic” writer, I need solid hooks on which to hang my musings. I can get lost easily if … Continue reading
When Things Aren’t as they Seem
By Deborah Raney A few years ago, I was speaking at a MOPS group (Mothers of Preschoolers) in a small Midwestern town. As I learned to do from the wonderful speaker and writer Liz Curtis Higgs, I had picked out … Continue reading
How to WRITE About When Everything Goes WRONG
by Allie Pleiter Write What You Know, Right? Writing about the difficulties in your life sounds like a sure-fire path to emotionally compelling work, right? You know exactly how it feels, you know the gut-wrenching progression of events, and it … Continue reading
Tell Me Lies: A Character Building Tip
By Hannah Conway When it comes to writing, making characters isn’t my strong suit. Sigh. The plot comes natural to me. My mind wields a storyline that I can only hope to portray with words. Yet, in order to become … Continue reading
Without a Word
By Cynthia Ruchti Two passages diverged in a yellow wood. And I… I took the one with subtext And that has made All the difference. (with apologies to Robert Frost) When writing, critiquing, judging, or editing a story, attention to … Continue reading
How to trick your brain and create the perfect writing environment
By Melissa Tagg Here’s the thing: I wish I could do ALL my writing on languid Saturday mornings…slow and relaxed and unencumbered by things like, oh, you know, the need to actually get dressed and go into the office and … Continue reading
The Magic Triangle: Exploring Wounds for Deeper Fiction
By Connilyn Cossette Have you read a book in which the characters seem flat? Lifeless? I certainly have. The plot may be great and the writing lyrical, but if the characters do not leap from the page the story will … Continue reading
How to Light a Fire to Your Writing Career
By DiAnn Mills When writers realize the embers of their careers are dying, stomping out the few remaining flames is not the answer. Instead, effective writers look for new ways to promote themselves that explodes with ingenuity and creativity. Is … Continue reading
Adding Flesh to the Bone: Writing Compelling Historical/Biblical Fiction
By Mesu Andrews If you’re invited to my house for a quiet evening, you should hope I only serve dessert. I’m not a terrible cook, but my main dishes usually come from a box. Why? Because the only seasonings I … Continue reading
How Do You Talk?
By Bonnie S. Calhoun I have found a home in YA (Young Adult) and one of the important elements of writing successful young adult stories is the dialogue. They do not speak as we adults do! Listen to the kids, … Continue reading
Mirror, Mirror: Using A Character’s Surroundings to Show & Not Tell
By Hannah Conway Show, don’t tell. I’m sure we’ve all heard that before. Some of us may have even rolled our eyes a time or two upon hearing those words from a critique partner, or editor. I may, or may … Continue reading
Unlocking the Doors
By Donna Schlachter Do you sometimes feel, in trying to get your book published, that you’re rattling at one locked door after another? Perhaps you’re struggling to find an agent, or maybe you’ve been submitting directly to publishers and gotten … Continue reading
10 Things That Steal Our Writing Joy
By Edie Melson I’m a member of several writing groups, and I’m always amazed at the different reactions people have to similar situations. For instance, one writer might leave a critique session in tears, questioning whether or not the call … Continue reading
